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PasticheCultural Memory in Art Film LiteratureIngeborg HoestereyTraces the rise of the pastiche in the arts and popular cultureIn the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious the pastiche or pasticcio Today highly engaging manifestations of the genre minor can be found in architecture painting and mixed media installations in film literature and performance modes ranging from the operatic to rock event and in supposedly trivial discourses such as advertising Postmodern pastiche is about cultural memory as a history of seeing and writing One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture which modernism in its search for the unperformed tended to dismiss Contemporary artists are re examining traditions that modernism eclipsed in its pursuit of the Shock of the New or—in the case of architects—the functionalism of the International styleIngeborg Hoesterey Professor of Comparative Literature and Germanic Studies at Indiana University is author of Verschlungene Schriftzeichen Intertextualität von Literatur und Kunst in der ModernePostmoderne editor of Zeitgeist in Babel The Postmodernist Controversy and co editor of Intertextuality German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories Toward a Critical Narratology March 2001160 pages 20 b4595 L£3400paper 0 253 21445 9 1995 s£1550 ContentsA Discourse History of Pasticcio and PastichePastiche in the Visual ArtsCinematic PasticheLiterary PastichePastiche Culture beyond High and Low Advertising Narratives MTV Performance StylesCodaPasticheCultural Memory in Art Film LiteratureIngeborg HoestereyTraces the rise of the pastiche in the arts and popular cultureIn the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious the pastiche or pasticcio Today highly engaging manifestations of the genre minor can be found in architecture painting and mixed media installations in film literature and performance modes ranging from the operatic to rock event and in supposedly trivial discourses such as advertising Postmodern pastiche is about cultural memory as a history of seeing and writing One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture which modernism in its search for the unperformed tended to dismiss Contemporary artists are re examining traditions that modernism eclipsed in its pursuit of the Shock of the New or—in the case of architects—the functionalism of the International styleIngeborg Hoesterey Professor of Comparative Literature and Germanic Studies at Indiana University is author of Verschlungene Schriftzeichen Intertextualität von Literatur und Kunst in der ModernePostmoderne editor of Zeitgeist in Babel The Postmodernist Controversy and co editor of Intertextuality German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories Toward a Critical Narratology March 2001160 pages 20 b4595 L£3400paper 0 253 21445 9 1995 s£1550 ContentsA Discourse History of Pasticcio and PastichePastiche in the Visual ArtsCinematic PasticheLiterary PastichePastiche Culture beyond High and Low Advertising Narratives MTV Performance StylesCodaPasticheCultural Memory in Art Film LiteratureIngeborg HoestereyTraces the rise of the pastiche in the arts and popular cultureIn the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious the pastiche or pasticcio Today highly engaging manifestations of the genre minor can be found in architecture painting and mixed media installations in film literature and performance modes ranging from the operatic to rock event and in supposedly trivial discourses such as advertising Postmodern pastiche is about cultural memory as a history of seeing and writing One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture which modernism in its search for the unperformed tended to dismiss Contemporary artists are re examining traditions that modernism eclipsed in its pursuit of the Shock of the New or—in the case of architects—the functionalism of the International styleIngeborg Hoesterey Professor of Comparative Literature and Germanic Studies at Indiana University is author of Verschlungene Schriftzeichen Intertextualität von Literatur und Kunst in der ModernePostmoderne editor of Zeitgeist in Babel The Postmodernist Controversy and co editor of Intertextuality German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories Toward a Critical Narratology March 2001160 pages 20 b4595 L£3400paper 0 253 21445 9 1995 s£1550 ContentsA Discourse History of Pasticcio and PastichePastiche in the Visual ArtsCinematic PasticheLiterary PastichePastiche Culture beyond High and Low Advertising Narratives MTV Performance StylesCoda


1 thoughts on “Pastiche Cultural Memory in Art Film Literature

  1. says:

    all well